So, yesterday we were treated to the corporate kiss-ass of a ceremony that was the Brits' 2010. The usual parade of pop puppets came with added vacancy and the sing-by-numbers scent of Cowell all over it.
It was, in that respect, everything you would expect from the credit-card-sponsored-record-company love-in. But the Brits' has thrown up some mischief in the past as organic (as opposed to groomed) musicians are invited along or even gifted with an award to add an air of credibility.
Nary a one of them were in sight last night. Where are the protest singers these days? Surely we can't be relying on Billy Bragg to set social commentary to a tune all by himself?
In the year of a general election there was no Rock the Vote. Not even a obscure word scrawled illegibly across a face-out palm.
There was merely the uncanny resemblance Cheryl Cole bore to Jacko and the barely-controversial moments of Liam Gallagher being Liam Gallagher and Ginger Spice taking a pop at Kula Shaker (finally, the moment she'd been waiting for came after years of waiting only for her bitterness to be greeted with a collective 'Kula who? Is that a Spice Girl?'). Robbie Williams delivered an edgy performance (but not really in a flipping the finger at authority sense of edgy).
It was a badly-synced soulless car-crash of show salvaged momentarily by the Dizzee Rascal / Florence Welsh duet and a flawless but slightly cold run out for Jay-Z and Alicia Keys' Empire State of Mind.
And all I could think (other than please dear sweet lord don't let Rob announce he's getting back with Take That) was, is this it? Are these our heroes now? Are we supposed to aspire to be auto-tuned pretty shells? Where are the creatives challenging the status quo (and even challenging Status Quo) and holding authority to account?
No more the call to arms, silence where once poetic provocation. There was a section of musical society that used music in an attempt to change the world. Now it seems there is no time for politics through pop because the schedule is full of spray tans and always being seen in the right place.
There was a time when music meant something more and the Brits scattergun approach to recognition occasionally gave that a platform to address a mainstream audience but if pop isn't getting into debate it could at least be frivolous and fun in its flippancy?
Neither one thing or another last night was a triumph of the insipid, of the instantly forgotten, a jarring nudge that despite two hours of music only an empty void was left inside.
And, Robbie, sweetheart...you don't have to do this anymore. You know that right? If you scared you can't be that showman now. But that's fine. We've got some memories and they're better left unscathed. Go find your twinkle. We'll still be here.
Disclaimer: Yes, thank you, I am aware that this post is basically 'it wasn't like this in my day'. I am however happy with taking this step on my journey towards Cynical Old Hack.
Wednesday, 17 February 2010
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2 comments:
Couldn't agree more - but I was partly responsible for Rage Against The Machine becoming No. 1 at Christmas!
I did take one thing away - very much enjoyed Florence and iTunes did the business after the show. A good listen. Missed previously I guess because of my total loss of interest in all things pop.
By coincidence, I participated in an interesting Twitter exchange last week. #myfirstalbum brought back memories of Pink Floyd The Wall (my first) and many other 'classics' that with one or two exceptions all seemed to have something to say and an inevitable appeal to those wanting to listen. What's changed?
What informs and challenges today's generation (surely not Simon Cowell's brand of moronic drivel)?
Could it be that this is all a small component of bigger change taking place - the globalisation and commercialisation of society?
We certainly seem to have bought into that (though that's possibly something for another blog post)!
Ken,
Glad you found Florence from the Brits. Lungs is one of my top five albums of 2009 and if you ever get a chance to see her live - do so. Takes the whole thing to another level. Think I was lucky enough to see her live three times last year and she really is a presence to behold.
Anyway - I've been really bothered about the loss of social commentary touching mainstream music for a while but particularly since the Brits. What challenges today's generation? Nothing as far as I can see. I think we / they are supposed to aspire to a very capitalistic homogenised way of living and thinking. That there is no kick against this in popular music bothers me greatly.
If it is a part of a bigger shift then that worries me even further. I'd see it as a loss to music and a not altogether good thing for society.
I'm just watching the live DVD of Blur playing Hyde Park in 2009 and Damon Albarn, mid set, reminds everyone of the protest against the war in Iraq which took place in that spot in 2003. Then delivers a Out of Time as a 'reminder to himself about that event'. It is that which was missing from the Brits. That which no pop act is doing now.
But then if they're not thinking for themselves they're not going to...
*sigh*
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